My second awesome discovery of the day is Tina Guo. What an amazing young woman. What an amazing sound ! I love the cello and I love what she does with it. Amazing ! www.tinaguo.com is her website .( i'm having trouble with links today )

www.tinaguo.com

"When I play my cello, I am completely pure, naked, and open. I long for the moments when my outer shell no longer matters. I hunger for every genuine tear of sorrow, joy, or understanding shared. When you can hear me for who I am, and see me in a way that doesn't involve looking at me, but rather looking through me, only then can I be satisfied.

When I play, I see ghosts. I am only aware of undiluted emotions manifesting; those that arise from the tribulations of life and of death, of the most beautiful love and the most heart wrenching grief. The same purity of feeling that has inspired every creator of art, of music; every human being that has ever dreamed of an ideal, lives in the flowing melodies. Expression through an abstract is blessed in its form to be free from the stains of reality.

When I make music, I rediscover my identity. Not a daughter, a sister, a lover, nor a friend, but only one soul connected to every other person that has walked the earth.

I ache to show you what is inside my heart. I ache to be understood. I ache for all of us to understand our humanity. I ache to tell the world an eternal story. Watch me, hear me pray in the only way I know how."

WOW !

bless

I was reading a long long email about DNA and Spiritual Science in which Tartini's Devil's Trill Sonata was mentioned as an example of hypercommunication. Here is a sample of the sonata along with the story of how it came into being.

The pop version with Vanessa Mae

From Wikipedia

"The Violin Sonata in G minor, more famously known as the Devil's Trill Sonata is a famous work for solo violin (with figured bass accompaniment) by Giuseppe Tartini (1692–1770), famous for being extremely technically demanding, even today.

The story behind "Devil's Trill" starts with a dream. Tartini allegedly told the French astronomer Jérôme Lalande that he dreamed that The Devil appeared to him and asked to be his servant. At the end of their lessons Tartini handed the devil his violin to test his skill—the devil immediately began to play with such virtuosity that Tartini felt his breath taken away. When the composer awoke he immediately jotted down the sonata, desperately trying to recapture what he had heard in the dream. It was successful with his audience; however, Tartini lamented that the piece was still far from what he had heard in his dream. What he had written was in his own words "so inferior to what [he] had heard, that if [he] could have subsisted on other means, [he] would have broken [his] violin and abandoned music forever."